orlando di lasso การใช้

• During this period Altenburg published music, and was compared to Orlando di Lasso.
• His dissertation was on Orlando di Lasso.
• The second batch ( see illustration of " ORLANDO DI LASSO " ) lost the side windows again.
• "But he also looked great in a tuxedo singing Orlando di Lasso, " the Italian madrigal composer.
• In 1966 he was awarded the Federal Cross of Merit ( first class ) and in 1974, the Orlando di Lasso medal.
• Composers such as Cipriano de Rore and Orlando di Lasso experimented with increasing chromaticism, which would culminate in the mannerist music of Carlo Gesualdo.
• Although a new record was not released in 2008, " Lasso " finally came out in August 2009 . The name was chosen with reference to Orlando di Lasso.
• The tenor cornett was used by composers like Giovanni Gabrieli, Heinrich Sch黷z and Orlando di Lasso as an alto or tenor voice in an ensemble of cornetts and trombones.
• In the 16th century, settings like these, and further developments, were created for the Catholic Church by Francisco Guerrero, Orlando di Lasso, and Cypriano de Rore.
• In 1582, she was sued by the Berg printers of Munich over copyright ( in the terminology of the time, " privilege " ) of a work by Orlando di Lasso.
• Thomas Morley, in his " A Plaine and Easie Introduction to Practicall Musicke " ( 1597 ) extols him as one of the greatest English composers, equal to Orlando di Lasso.
• He was a founding member of the " Accademia dei Sereni " in 1546-1547, where he knew Luigi Dentice and Marchese della Terza, who was a patron of Orlando di Lasso.
• He traveled to London, Paris, Solesmes, Milan and Rome to this end, and upon his return to Stockholm, Bystr鰉 started organizing regular performances of liturgical music by Orlando di Lasso and Giovanni Pierluigi da Palestrina.
• The madrigal genre was taken up by Adrian Willaert, Cipriano de Rore, Giaches de Wert, Giovanni de Macque and, although he was based in Munich, the pan-European publishing phenomenon that was Orlando di Lasso.
• Under S鰀erholm, he studied counterpoint : there followed five years intensive work on Palestrina, Orlando di Lasso and above all Johann Sebastian Bach, " the highest form of energy with which it s possible to come into contact ."
• He took an interest in music and the fine arts : Sherwin the engraver received Bever's patronage; and the copying of the religious music of Orlando di Lasso had his support, a project carried out by Robert Didsbury in 1785.
• Over the years, he has collaborated with the Hilliard Ensemble in concerts and recordings of music by Heinrich Isaac, Orlando di Lasso, and Philippe de Monte, and with Philippe Pierlot s Ricercar Consort and the Concerto delle Viole of Roberto Gini.
• Some of Vegio's poems were later set as motets by renaissance composers-an example being " Huc me sidereo ", set by Josquin, Jacobus Vaet, Orlando Di Lasso and the first motet of Adrian Willaert's 1559 " Musica Nova " collection.
• In 1944 he founded the " Ensemble Vocal Marcel-Couraud ", with whom he performed chansons and madrigals of the Renaissance period ( including Orlando di Lasso and Claudio Monteverdi ) as well as works by contemporary composers such as " Trois Petites Liturgies de la pr閟ence divine " by Olivier Messiaen.
• The church gives its name to the K鋖lunge codex ( Latin " Codex Kellungensis " ) a 1622 collection of choral music by Philipp Dulichius, Melchior Vulpius, Gregor Aichinger, Nicolaus Zangius, Hieronymus Praetorius, Hans Hassler, Jacobus Gallus, Johann Walter, Dominique Phinot, Orlando di Lasso, and Johann Bahr among others.